The complex stands on a pre-existing structure from the 14th century, likely a fortified tower-house, of which traces remain in the masonry, the crenellated fence, and the base of the dovecote in the southeast corner. The current layout developed in the 16th century when terraced houses were built to the west of the courtyard, suggesting a possible monastic presence connected to the Olivetans active in Sant’Elena since the 15th century.
In addition to the villa, the courtyard, the dovecote, and the brolo, the complex also included a fish pond and a brick barchessa from the late 16th century, characterized by a long series of semicircular arches on pillars and pilasters. The church, located between the main entrance and the service entrance, dates back to between the 17th and 18th centuries.
In 1857, the entire ensemble was reorganized by Achille Casanova, who transformed the brolo into a romantic park of about 8 hectares designed by Osvaldo Paoletti: it features nymphs, caves, a small shrine dedicated to Cavour, a mill, and a Swiss-style house for the gardener. During this period, greenhouses and a lemon house were added, connected to the dovecote.
The facade of the main body was reworked in a Renaissance style, preserving the Gothic portal, while the interiors were decorated with fake coats of arms, drapes, and zodiac motifs in the main hall and in the "Gallery of Fans."
